Livingston
Brand spotBrookfield Residential
3D · Compositing · Colour · Sound
3D, VFX and post-production
When a floor plan, a product or a camera move has to be exact, we build it in 3D before anything photoreal is made. The model locks the geometry and the camera path, so a walk through a house that is not built yet, or a move around a car and into the driver’s seat, is directed rather than hoped for.
What we make
Built in 3D, finished by hand
Then comes the craft that finishes every good commercial. Real products, type and graphics are composited so they are exact, and every film gets a proper edit, colour grade, sound design and mix before it is mastered for wherever it will run.
- 3D builds from plans and drawings
- 3D previs and camera design
- Compositing and set extension
- Motion graphics, type and end cards
- Colour grading, sound design and mix
- Masters and delivery to spec
Built in 3D
From the model to the film
Two FrameSmiths demos: a camera move designed in 3D before the shot was made, and a home built from its construction drawings.
A camera move, directed
One continuous move, planned in 3D: around the driver, through the open rear window and into the front seat. Drag across the frame to compare.
3D previsFinal filmA home, from its plans
The rooms, the sightlines and the walk through the house come straight from the drawings. The finish comes last.
01
The plan
The builder’s construction drawing for the main floor, as drawn.
02
The model
Built to the drawing in 3D, with the camera route set room by room.
03
The film
The same route, finished photoreal. No house was filmed.
01
Camera moves, directed
Complex moves are blocked out in 3D first, so the camera goes exactly where the story needs it.
02
Geometry you can trust
Rooms, sightlines and proportions come from the drawings, not from a guess.
03
Exact where it matters
Logos, legal lines, product and on-screen text are composited, never left to chance.
04
A real finish
Grade, grain, sound design and a mix that hold up on a cinema screen and on a phone.
Questions
Straight answers
Why build it in 3D first?
Because some things cannot be left to interpretation. A 3D build fixes the layout, the scale and the camera path before anything photoreal is made, so the room is the right size, the move lands where it should, and every revision starts from the same model.
Can you work from our floor plans or drawings?
Yes. Construction drawings and site plans are the usual starting point, and product drawings and packaging files work the same way. We build from them, show you the model and the camera route, and only then finish the film.
Do you only work with your own AI footage?
No. We also finish, extend and repair footage from other productions, including compositing, clean-up, set extension and changes to live-action plates.
What do you deliver?
Whatever the placement needs: broadcast masters with captions and loudness to spec, cinema and connected-TV files, and web and social versions in every aspect ratio.
Tell us what you are making.
Send us the brief. We will come back with a look, an approach and a clear number.